Here are some examples of my functional ware, many of the pieces are glazed with plant ashes, wild clay slip or glazes containing natural materials.

Drifted From Fife is a series made for They Had Four Years, a group exhibition at the Generator Projects. Both of the pieces are inspired by walking along the Fife Coastal Path and observing the landscape. In these pieces I used wild clay, rocks, sand and driftwood from Fife.

Sands of Tongue is a series made for They Had Four Years, a group exhibition at the Generator Projects. Both of the pieces are inspired by living on the North Coast of Scotland, in Tongue and observing the landscape. In these pieces I used wild clay, rocks and mainly sand from the beaches on the North Coast.

We go on journeys our whole life. Some take us to new countries or mountain tops. Others, stay within our minds.On the Pot’s Road follows a journey I undertook. I walked across the Cairngorms with a pot strapped to me. Just as I was observing the changing landscape around me, I was also noting down the places my mind was taking me to.

This project ran alongside my Art & Philosophy dissertation research (that you can access through the publications page). Through which I was exploring how art can be made in collaborations with nature and for nature. I focused on creating objects of shelter that I'm naturally drawn to.

During the 3rd and the most formative year of my studies, I spent a semester abroad. I used this time to properly delve into material and ceramic research. In Medias Res is an exhibition I was working towards at the time. There are a couple of subjects I was exploring that turned out to be defining for my practice. Other than research, I explored how art in the public space acts as performance in its absurdity. Walking became a way of creating and telling narratives. For the last few years, I have been unconsciously searching for a way to merge walking and art. I found their meeting point in the form of ceramics.